Can-Fit-Pro Magazine

OCTOBER/NOVEMBER 2003


Aerobics With No Music?

The Evolution of the Fitness Industry

By Blanche Hold

What came first – the beat or the choreography?   To have the body move to a constant beat in a choreographed pattern has been around for centuries – and like everything else it has evolved a long way.   Movement and tempo go all the way back to the time of Benjamin Franklin and Thomas Jefferson who both recommended physical activity as part of a healthy lifestyle.   The great armies of the past used to march to the beat of the drum, a simple concept developed centuries ago – a constant beat to perform a basic body movement.  

In the 50’s Jack Lalanne was instrumental in developing cardiovascular and resistance training programs in a group exercise setting.   Jack also invented the term to what is now commonly referred to as a “jumping jack” – I wonder if Jack knew exactly how much impact the jumping jack would have as aerobics evolved into what it is today!

The 70’s & 80’s saw fitness guru’s Jane Fonda and Richard Simmons hit the scene with choreographed routines set to music and the early 80’s brought more structured group exercise programs into fitness facilities.   Who can forget the terms “feel the burn” and “give me just one more” - brings back memories of slouch socks and jazz slippers!  

Then in 1989 we saw perhaps the biggest trend when Gin Miller hit the scene with the Reebok “Step Evolution”!   We all went step crazy and the fitness boom was on!   The 90’s brought the boxing craze heightened by the popular Tae-Bo videos created by Billy Blanks.

The 21 st century has continued to progress with a focus on mind-body programs such as the ever popular Pilates and Yoga inspired classes, together with specialized programs incorporating the use of innovative fitness products such as the BOSU Balance Trainer.  

Yes times have certainly changed – hi low, step, kickbox, indoor cycling and the list goes on – it’s hard to keep up.   But they all share something in common – music to move to!  

How many of you veteran instructors remember using vinyl in your classes and packing around 45’s?   Or having a live musician accompany you to class?   And lest we forget the task of – ugh – making our own tapes!   Yes – we would go to the store and buy a handfu l of tapes to make only 1 - 60 minute tape!   We would sit in front of our tape player and go thru all the tapes trying to find the right tempo for our warm up and then faster music for our hi-low aerobic classes.   And trust me – it was hard finding music for those hi/low classes – remember - back then there was no pitch control!   We used classics such as “Walking on Sunshine” by Katrina and the Waves and the absolute favourites – the theme from “Flashdance” and “I’m So Excited” by the Pointer sisters!   Those tunes gave added energy and life to our classes!  

So after countless hours of taping and re-taping – we were finally ready to go live with our 60 minute tape in class!    We had pauses in-between songs where we would patiently march or jog on the spot until the next song came on; we had recording level fluctuations – one song would be soft and the next sounded like a concert – but it worked!  

Then we discovered DJ’s and pitch control – the instructor’s best friend!   DJ’s were awesome - they not only had the equipment to “pitch” up our music to faster tempos, but they also had a vast selection of music just waiting to be copied.   Was it legal?   Not a chance – but did we care – nope!   Did we worry about phrasing back then – nope!   Did the DJ’s know anything about aerobics – some did, others did not.   Phrasing – 32 counts – “what was that”   we said.   So we paid our $40 and $50 per tape and happily went to class knowing that we had just saved ourselves countless hours of making our own tapes and the flaws on phrasing etc was something we could all live with.  

Pitch control was a great asset but was very limited in the clubs.   Pitch control enabled us to take virtually any song, make it faster and away we went.   Then came the new buzz word “chipmunk music” – we feverishly pitched our music so much, that at times, it sounded like the artist had just inhaled helium!  

Some entrepreneurial DJ’s started to see a potential market and several music production companies were formed in the USA .   In 1987 the industry saw the first “legal” music provider being Power Productions (Power Music) emerge and in the following years were followed by Muscle Mixes Music, Dynamix Music, Inlytes Productions and Tempo Music just to name a few.   Canada ’s first music production company was Dynamic Workout Tracks, then Gym Jams followed and in 1998, Burntrax Music came onto the Canadian marketplace.  

Our music needs were changing just as fast as the industry was progressing.   While it had been acceptable at one time to march on the spot during those annoying pauses in an aerobics class, when step first entered the industry in 1989, it was more and more evident that instructors needed more customizations in their music it was increasingly difficult to keep the flow of a step class going when the music stopped for the pause.   Step choreography was built on the basis of the 8 count and the 32 count phrase and “continuous” movement.   

Instructors wanted mixed music and square music - which meant music was formatted to the 32 phrase.    We wanted music to suit the mood and clientele of our classes.   We asked for different themes – be it top 40, country, rock and roll or beach style music.    We started to ask for different formats – aerobic and step interval classes, or how about those step and muscle conditioning interval classes where we had a whistle cue placed into the song indicating the next transition change.  

Professionally mixed music was much easier to work with, but it did take some getting used to, as it was a different sound than what we were accustomed to.   Due to copyright and licensing requirements, music providers did not always have easy access to the hits on the chart and at time used compilations from new upcoming artists, which made the music unrecognizable to clients.

Industry invented the word “canned music” as it related to this new product hitting the market.   And at times, some of it did sound very canned and very repetitive with the beat just going on and on and on ….  

Using tapes in class also had their drawbacks – after repetitive use tapes would stretch, pitch control played havoc on tapes and could cause a tape to snap.   Technology has advanced so much that the music available today is flawless as compared to years gone by.   Tapes are almost a thing of the past with CD’s being so much more versatile.   What does the future hold – personalized MP3 players?

Today music providers have musical themes featuring Top 40, Disco, Rock and Roll, Rhythm & Blues, Classical, Movie Themes, Big Band, Broadway, Country, Gospel, Holistic and more.    Clients can choose from a wide array of musical styles to suit the class format – aggressive music for those hard-core boxing classes and innovative holistic sounds for the mind-body style classes.   Instructors virtually have the choice of hundreds of different compilations to choose from all available in a wide array of class formats.   Instructors have the option of previewing before they buy, and most reputable companies offer a satisfaction guarantee on all purchases.  

Times have certainly changed – no more countless hours spent on searching for tunes and making our own tapes and NO MORE CHIPMUNKS!   The fitness music industry has come a long way in the past decade – from vinyl to tapes to CD’s, from Top 40 to Broadway, – music is one of the key motivators in fitness.   Music is a vital tool for instructors to educate, communicate and motivate others towards a healthy and active lifestyle.   I wonder if Benjamin Franklin and Thomas Jefferson were way ahead of their time and just didn’t know it.

Join us next issue when we examine the Legalities and Licensing of Music – plus “Why is Music so Expensive!”


Blanche Hold is the founder of the Fitness Marketing Group (FMG) and is the Canadian representative for Dynamix Music.   Blanche has been involved in the fitness industry since 1988 in many different capacities, however she is most recognized for her expertise in fitness music and is known as the “music lady” by many.   Blanche is Can-Fit-Pro certified and is the Administrator of the team of PRO Trainers serving Alberta and the interior of BC.   Blanche can be reached via email at blanche@fmgonline.ca .  


 

 

 

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